Wheeling hard cases over a rough street surface like cobblestones is really putting a lot of wear on delicate equipment. One thing lenses and other delicate camera equipment really do not like is vibration. It can sometimes be preferable to pay the extra $90 or so for priority boarding so that you can ensure overhead cabin space. A small hard case like the one pictured above will fit in an overhead compartment or under the seat on most commercial airplanes, but with more than 4 lenses can quickly exceed the maximum weight limit. Ideally, this means you can keep your essential gear close to you at all times. They have less padding, but can still provide more than enough protection. Smaller, cabin-sized hard cases do exist and can easily adapt to carry 6 or more lenses. The one pictured below holds 5 lenses, and can easily withstand the rigors of loading, unloading, and the occasional tumble. If you’re driving to location, a large hard case makes the most sense. When you consider the cost of lens rental (around 2% of purchase price), cine lenses become a logical choice. Again, this saves time and money while shooting. For example, they can continue to film longer once the sun has gone down. The faster speed of cine lenses means that filmmakers can obtain the correct exposure with less light. When time is money, the added value of cine lenses is more than worth the investment. So changing lenses doesn’t require more light or resetting the camera, such as adjusting the camera rails or follow focus position. Geared focus and aperture rings are essential to work in a professional environment so that a team can achieve the complex focus and iris pulls that are a hallmark of modern film and TV.Īnother feature of cine lenses is their near universal size and consistent t-stops. Eventually, most filmmakers transcend their inexpensive roots, working on higher-budget productions with larger crews, making cine lenses a natural step. In the post-DSLR world, many filmmakers get their start on photographic lenses because they’re fast, light and relatively cheap. Why Use Cine Lenses?Ĭinema lenses have been around as long as cinema itself and show no sign of going anywhere. These are invaluable to know if you’re stepping on set for the first time, or if you’re an experienced operator and want to brief new hires about the best way to handle expensive, delicate glass. Today we’re going to take a look at the numerous 1st AC protocols for using and handling lenses in a professional environment.
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